The Music and Life of Bob Marley
A class created and taught by Matt Jenson for Berklee College of Music
(Interested in Berklee?

The class meets for two hours a week and is made up of an ensemble's worth of hand picked students...the cream of the crop. 1 lead singer, 3 back-up singers, 3 horn players, 2 guitarists, 2 keyboardists, bass player, drummer, hand drummer. Matt lectures, taking the students through the significant happenings in Bob's life and then.....the group PLAYs!

Repertoire includes a full spread of Marley's music, all of which is presented in new arrangements: Positive Vibration, Wake Up and Live, Kinky Reggae, Could You Be Loved, Waiting in Vain, Rebel Music, So Much Trouble in the World, Work, Get Up Stand Up, Trench Town Rock.

Recently the group played to a packed house of dancin' Marley lovers at Berklee for Black History Month! Mp3's soon come. Check the performance schedule for concerts.

To catch the vibe of the class, read these introductory remarks:

Introductory remarks by MJ
"The master said there is one thing in this world which must never be forgotten. If you were to forget everything else, but were not to forget this, there would be no cause to worry, while if you remembered, performed and attended to everything else, but forgot that one thing, you would in fact have done nothing whatsoever. It is as if a king had sent you to a country to carry out one special, specific tack. You go to the country and you perform a hundred other tasks, but if you have not performed the task you were sent for, it is as if you have performed nothing at all. So man has come into the world for a particular task, and that is his purpose. If he doesn't perform it, he will have done nothing."
-From Rumi's Table Talk

For the last 15 years, I have been nearly obsessed with the music and life of Bob Marley. Yes, obsessed. I've read most of the biographies, seen most of the video documentaries and concert videos, own all of the recordings released during his life-time (I've even worn out some CDs!) and now, with the onslaught of re-releases and new releases, I'm slowly gathering up all of those recordings as well. Recently, as part of research for this class, I've acquired about 40 tapes from Roger Steffen's famous Reggae Archive in LA, of rare rehearsal tapes, board mixes of many concerts and radio interviews with Marley. It's amazing. I've been to Jamaica and visited the mausoleum in Nine Miles where I sat right next to his tomb trying to absorb some vibe. While I was studying for my master's degree in music and by day deeply involved in doing Thelonius Monk transcriptions and learning about the history of western European musical style, and certainly inspired by it all, the only thing I did during my free time was listen…and dance to Marley. So moved by his music and example, I have chosen the reggae idiom as the territory where I express my deepest feelings as a musician through composition, performance and with my only recording project to date. Receiving the opportunity to teach this class has lead me to dissect Marley's life and recordings on an even deeper level. Don't ask me what it is; I'm not black, I'm not a Rastafarian and I grew up in the woods of New Hampshire. I've known all along that my connection to Marley is rooted in some sort of primal necessity, and perhaps many of you feel the same way about your own reasons for being here. With the responsibility of teaching this class I feel that some sort of higher purpose is being played out and I think I'm beginning to figure out what that is. When you boil it down, trim away all the fat, get rid of all the self doubt and insecurity, the ultimate challenge Marley presents, as does any great artist, sage or spiritual leader, is for you to get to know yourself better.

As I have gotten to know the specifics of Marley's life, an image of a pyramid comes to mind, with Marley sitting on top and a stream of divine light pouring into his head. However, just below his feet are layers and layers of controversy, contradiction, and broken promises. When you find out some of the intimate details of the culture surrounding Marley, like the air of "homoerotic violence" that at least one observer recounts, his renowned polygamy, the outright theft committed by most of those closest to him, the loneliness and depression that he felt despite having so many and so much around him, the difficult to understand role of Rastafari and religiosity in his life, the copious amounts of pot smoking, his role in the confusing Jamaican and international political landscape…I just throw my hands in the air and drop the needle on the record. Marley was as much a saint as he was a man, vexed as we all are by the ways of life on earth. Nowhere in recent history is the juxtaposition between the divine and the lowly Babylonian ways of mankind so acute. Again, just press play on your CD player and turn the volume up…."when it hits, you feel no pain." Who cares about all the bull shit.

When one sees the light of certain fundamental truths, and becomes committed to helping change things for the better, one automatically assumes the responsibility of rebel and warrior. Bob Marley was very well aware of his role as such. He was a spiritual warrior; a natural mystic who blew through the air and who, like a true shaman, traveled to the parts of existence that are somewhere beyond that which is seen as our day to day reality, and there, he struggled with both personal and universal demons, and returned to us all with a deep message. He was a physical warrior; a skilled street fighter known to all as the "Tuff Gong," and "sufferah" who grew up in one of the world's most destitute ghettos. As a tireless worker he toiled against the odds of the ruthless music business, and later, when he had the means to settle back and live a very comfortable life, he made great sacrifices via endless touring, interviewing, peacemaking and rebellion to continue his work. Through this long sufferation, and only through it, Bob Marley periodically entered a mystical/spiritual space, many times on stage, or alone in his bedroom with his guitar, or while looking up at the stars in his tiny home village of Nine Mile, and astonishingly, even in the squalor of the government yards in Kingtson. In all of these settings, Marley saw pure beauty and light and the need for both personal and societal revolution.

Bob Marley proclaimed to be living in this world but not to be of it. It seemed that in every aspect of his life, except for the writing, recording and performance of the music itself …and a damn good soccer game, he was only truly part of it for fleeting moments while the rest of him was firmly planted in the transcendent…..perched atop that pyramid. Some even say this was how he felt about his involvement with the more formalized aspects of Rastafari, to be in it, but not really part of it. Armed with a deep vision of the foibles of mankind, he "…never expected to be justified by the laws of men," who, in their fear based and ignorant ways, accomplish not much more than the continuation of division. Bob Marley acted, and acts, as a reminder to us of something that we all have deeply embedded in our spirits, that of truth, honesty and love.

Bob Marley believed in the much-deserved redemption of black society, in One Love, in human brotherhood as constantly displayed in the expression "I and I," in total unity and that the Peace Movement in JA circa 1978 could actually work. He believed that an African ruler named Hallie Salassie was actually the divinity, returned to earth as predicted. He believed that Capitalism was nothing but a dehumanizing "machine that make money." He believed that smoking herb was critical to the waking up of consciousness, allowing one to have reflective time to oneself. He believed in freedom from all oppressive forces, both physical and spiritual and certainly freedom from the (at least Western) assumption that a marriage is monogamous. He believed that music was the most powerful weapon of all because it saves and heals, and doesn't kill. He believed that "none but ourselves can free our minds" and that it's imperative to "emancipate oneself from mental slavery." Some of his truths are hard to understand, but his belief was of a transcendental nature and occupied every cell of his body and that made ALL the difference.

Bob died on May 11, 1981 in Miami, Florida at the very young age of 36. He died of cancer; melanoma and 5 malignant tumors spread through his body. No, the CIA didn't kill him! The last couple years of Marley's life were rife with let-downs: many of his closest friends betrayed him, the Peace Movement in Jamaica failed and he was self-exiled from his homeland, some of his closest friends in Jamaica were murdered, the cancer spreading through his body was becoming more and more painful, the responsibility he felt as a spiritual/musical leader was immense, and despite his fame and the many people around him, he was quite lonely and there seemed to be a growing sadness that came with living inside his own vision. Also, Bob Marley was a man who couldn't say no. He kept some 8000 hangers on in Kingston alive with monetary hand-outs; he almost never refused an interview, took care of his many children, and kept up quite a physical routine based on his soccer obsession. By the end, he was totally exhausted.

To see him perform, though I never did, to feel his commitment, which I have, through his recordings and video footage, was (is) to become a believer. No, I don't believe in some of Marley's more earthly beliefs but the overriding message of his music and his life, transcend all of that and put a smile on my dancing soul. Brother Bob's music and life assures me that everything is going to be alright and that, amongst the tremendous difficulties in this life, there is a battle to be fought that, at it's most basic level, requires a truly rebellious attitude fostered through meditation and consciousness… and ACTION through music! There's a lot of talk out there, a lot of spin, even about these righteous things, but "who feels it, knows it!"…and that's what it's all about, the feeling of this spirit. It is at once a very personal journey that one must take responsibility for, yet it is directly connected to the universal.

It is my hope that this class will be much more than a fun time playing Marley's music and studying his life. I want you to get involved personally. Any musician worth anything must spend time taking apart the music of the artists that inspire him/her, and then, hopefully, take those influences and create something new when mixed in with your own personal experience. Marley is a supreme example of this and I hope that you take inspiration from our study of his example…and forever embark on a journey of saying something from your heart during your brief time in this life.

To finish, a quote from Sogyal Rinpoche:

"At other time and in other civilizations, this path of spiritual transformation was confined to a relatively select number of people; now, however, a large proportion of the human race must seek the path of wisdom if the world is to be preserved from the internal and external dangers that threaten it. In this time of violence and disintegration, spiritual vision is not an elitist luxury but vital to our survival."
-Sogyal Rinpoche, The Tiebetan Book of Living and Dying.